Art direction and design of Para One's Passion LP released on Marble Music. Original painting by Jim Buckels. 2012

Nobody There To Know published by Museum Paper. Artist book by Jocko Weyland. Travelogue of a antisocial yet fruitful autumnal excursion to Duluth, Minnesota - mid 1990's. The book was printed, photocopied, scanned and re-colored with a brown, rusty hue before the full color images were added. 2012

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Passenger Seat published by Museum Paper. Photo book by Per Englund. Surveillance like photographs taken through the windows of passenger seats at a red light crossing in Hornstull, Stockholm. The materials choosen for the book, the shapes and typography were inspired by vintage binoculars. 2012

1) Bird sculpture for Kotoriten exhibition at Utrecht Bookstore, Tokyo. Carved wood, marble & clay, 105 x 170 x 140 mm. 2012 2) Paper and flower-petal bird mask for Kotoriten 3 show at Gallery Claska DO! in Shibuya, Tokyo. Colors and pattern imitates the coat of the Eurasian Blue Tit (Cyanistes Caeruleus). 2014 Photopraphy by Daniel Blom.

T-shirt print for Wood Wood capsule collection celebrating the brands 10th anniversary. Found timber with custom made stamp. 2011

Old Men's Tattoos published by Dokument Press. Photo book by artist Thomas Jeppe on tattoo's made before 1980. The blue and red color used throughout the book references old tattoo inks. The page numbering doubles as a guide for linking images with texts found in the back index. 2011

Artwork for digital releases on Marble Records. •Bobmo – Sonic Soul EP. Paper collage. 2013 •High Powered Boys – Streetwise EP. Watercolor drawing. 2012 •Sam Tiba – Black Eyed Weed EP. Airbrush drawing. 2011 •Para One & Teki Latex – Deep Sea Creatures/5th dimension Still life scannogram. 2011

Visual identity for record label Marble. A logotype and a set of tools for creating record covers were made. The tools consists of three parts: 1) A series of patterns used as frames around the artwork. 2) A set of labels showing artist, title and release information. The labels have set typography, while the shape of the label changes between releases. 3) A set of graphic symbols. These symbols are used to complement the logo on the artwork and in any other media the logo is present. These three parts are combined with the artwork and together creates a recognizable and flexible concept. 2011 Example of concept in use on MRBL001 (artwork by Rimo), MRBL002 (artwork by Jonathan Zawada), MRBL011 (artwork by Romain Bernardie James) and MRBL012 (artwork by Trevor Winkfield).

Posters created for 5070 - a project initiated by Martin Löfqvist. Each month a new set of posters on a new theme by nine Swedish graphic designers was presented. Photography by Daniel Blom

Packaging design for two RVW products: The Haijk flower pot and the Don't Touch vase. Following in line with the identity previously created for RVW, a visual interpretation of the products were added to the boxes. 2010

Art direction and concept development for Systembolagets in-store communication for non-alcoholic beverages. Photographic patterns created from flavours and decorations in season (summer & fall). Displayed at all Systembolaget's 413 stores all over Sweden. Agency: Kollo Photographer: Per Englund Floor-stickers for easy locating of the non-alcoholic section in the stores. An A5 sized folder was made with the current seasons news in Systembolagets non-alcoholic assortment as well as recipes for food that goes well with the beverages.